ean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, did cause me some con, except in 19.cccthat mysterious, extraneous thing which has nothing to do with the theories of art; a subtle change in th19.ccce nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What, howev19.cccer,
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