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ing upon thjdbbxe publication of the “Typhoon” volume of short stories.

I don’t mean to say that I becamjdbbxe then conscious of any impending change in my mentality and in my attitude towards the tasks ofjdbbx my writing life. And perhaps there was never any change, except in that mysterious, did cause me some c, however, extraneous thing which has nothing to do with the theories of art; a subtle change in the nature of the inspiration; a phenomenon for which I can not in any way be held responsible. What,